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416

January 2007 saw the first of the long awaited ARRIFLEX 416 and 416 Plus cameras available for delivery. Demand is already high for this highly specified camera, and is expected to get even higher after its initial release.

Reports received from crews around the world who are testing the 16 pre-production cameras are extremely good. Comments such as “the best 16mm viewfinder ever”, “amazingly quiet” and “a delight to hand hold” are commonplace.
The ARRIFLEX 416 Plus has worked on more than 50 productions including TV Drama, documentary, commercials and features.
The 416 takes advantage of the latest technologies available in film camera design. Combined with the latest film stocks and ARRI/Zeiss Ultra 16 Lenses, this Super 16 camera will produce images of exceptional quality for HDTV broadcast and feature film release.

Zeiss Ultra 16 Lenses

These lenses are now available for delivery.
Available light shooting and very shallow depth of field combined with outstanding optical performance are the signature of these high speed T1.3 lenses, that utilize the same technologies from the Master Primes for the Super 16 format. The focal lengths available are 6mm, 8mm, 9.5mm, 12mm and 14mm. The Ultra 16 lenses are available with imperial or metric focus scales.

ARRI Zeiss Ultra Prime 8R

The Ultra Prime 8R is an extreme wide angle T2.6 lens with a unique, fresh look. Due to its rectilinear design the Ultra Prime 8R shows an extremely wide angle of view without any of the commonly associated distortion. In contrast to a fisheye lens, a rectilinear lens keeps straight lines straight and creates an image that covers the entire ANSI Super 35 aperture.

A radically shaped aspherical front lens element, produced using semiconductor technology, provides high optical quality while substantially reducing size and weight - making the Ultra Prime 8R a revolutionary size for an 8mm lens

MB20 System II

The MB-20 System II is a compact Matte Box designed to accommodate even wide angle lenses like the Fujinon 4.5 x 13, while still being lightweight enough to be used handheld. The new Basic Module and Light Shields offer users and rental houses the MB-20 modularity at reduced cost of entry. They can also be attached directly to the lens with a clip on adapter. Independently rotating filter stages can hold diverse filter sizes up to 5.65" x 5.65".
ARRI's new and innovative patented cage design allows for use of videography-style light shields without sacrificing durability and gives full protection of the sunshade against shocks. Four light shields can be used simultaneously with full adjustability to control flares from all sides - hot pavements below and bright sun above are no longer a problem.
With increasing use of the ARRI Lightweight Follow Focus LFF-1 as a primary follow focus unit, we received many requests for a studio style knob. This new focus knob matches the size of standard ARRI studio follow focus knobs and is compatible with stand studio follow focus marking disks, while retaining the LFF-1 systems anti-backlash couplings.

Camera/Lens Brochures

Please click below to view PDF’s of our current camera brochures.

To contact our Film Equipment Sales Team click here

Request Information from ARRI

FILM EQUIPMENT SALES TEAM

For details on other offers please call the ARRI sales team:-

Sales Direct:
01895 457000

E-mail:
sales@arri-gb.com

Allan Fyfe
Film Equipment Sales Western Europe

Paula Connor
Film Equipment Sales

Mark Dollery
Sales Executive Film and Digital Imaging Equipment

Richard Hester
Senior Technician

ARRI have an on-site Shop facility where you are able to purchase all of your Lighting, Camera and Digital requirements. New products, special offers and promotional items are always available for collection from the ARRI Shop within ARRI (GB) Uxbridge. This is also an opportunity to meet the sales team and discuss our products over a coffee.

For immediate information on any of our camera products please contact the Film Equipment Sales team.