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416
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January 2007 will see the first of the long awaited ARRIFLEX 416 and 416 Plus cameras available for delivery. Demand is already high for this highly specified camera, and is expected to get even higher after its initial release.
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Reports received from crews around the world who are testing the 16 pre-production cameras are extremely good. Comments such as “the best 16mm viewfinder ever”, “amazingly quiet” and “a delight to hand hold” are commonplace.
The ARRIFLEX 416 Plus has worked on more than 50 productions including TV Drama, documentary, commercials and features.
The 416 takes advantage of the latest technologies available in film camera design. Combined with the latest film stocks and ARRI/Zeiss Ultra 16 Lenses, this Super 16 camera will produce images of exceptional quality for HDTV broadcast and feature film release.
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Zeiss Ultra 16 Lenses
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Delivery is on target with the first sets available around the end of January 2007.
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Available light shooting and very shallow depth of field combined with outstanding optical performance are the signature of these high speed T1.3 lenses, that utilize the same technologies from the Master Primes for the Super 16 format. The focal lengths available are 6mm, 8mm, 9.5mm, 12mm and 14mm. The Ultra 16 lenses are available with feet or meters focus scales.
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ARRI Zeiss Ultra Prime 8R
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The Ultra Prime 8R is an extreme wide angle T2.6 lens with a unique, fresh look. Due to its rectilinear design the Ultra Prime 8R shows an extremely wide angle of view without any of the commonly associated distortion. In contrast to a fisheye lens, a rectilinear lens keeps straight lines straight and creates an image that covers the entire ANSI Super 35 aperture.
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A radically shaped aspherical front lens element, produced using semiconductor technology, provides high optical quality while substantially reducing size and weight - making the Ultra Prime 8R a revolutionary size for an 8mm lens
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